Jazz Bass Artists of the 1950s

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She was a fantastic composer, pianist and mentor and the most important woman in jazz.

The ten best jazz bassists of all time | Westword

Herbie Hancock is one of the few jazz pianists who progressed with the times. From fusion funk through to electronic music using synthesizers and toys, he's always been way ahead. It was Head Hunters , the record that fused funk and soul with pop, that I fell in love with. I grew up in the west country with little exposure to jazz and although I wasn't rejecting pop, I knew there was more to music. Through Herbie, electro and drum'n'bass, I developed an understanding of improvisation.

I aim to operate somewhere between Herbie and Ben Folds at all times.

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By my late teens I was really getting into the singers. Nat King Cole was a household name and I adored his voice but wasn't into the big orchestral pieces. At a record shop this guy handed me a record of him doing Gershwin, Cole Porter, that style, with strings and a piano, and I realised this was the Cole I wanted to emulate. He was an immense talent in his own right as a jazz performer, not just with the big band stuff.

The 100 Greatest Bass Players of All Time

I guess I was, by then, a music snob and geek and consciously rejecting obvious, accessible jazz. Listening to Cole's alternative side made me think I was right to be a snob. I'd heard of Miles via Herbie Hancock.

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I was 18, reading Jack Kerouac and beat writers who bang on about jazz all the time, and felt I needed to be challenged musically. That psychedelic inaccessible jazz works at an age when you are working stuff out for yourself. It was like a culture shock in my bedroom.

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I didn't understand the music, I didn't even like it that much , and yes, I knew there was heroin involved but I didn't know in what way. I just knew I should be listening. It mattered that I'd heard it.

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  4. And that combined experience of sound and literature felt very exotic. I was about 18 when I saw Jarrett play in the Barbican.

    The evolution of the Fender Jazz Bass

    I was fond of what he had done with Miles Davis in the s so the fact that he was still alive, well, I had to see him play. He has the most phenomenal technique. I'd never heard that level of free form improv piano playing — he looked like a mischievous magician. It honestly felt like he could set fire to the piano if he wanted. Keith struck a chord for me as a performer in the way he commanded the whole audience. Ray Brown.

    Jazz Bass Artists of The 1950s

    Esperanza Spalding born October 18, [1] is an American jazz bassist , cellist and singer, who draws upon many genres in her own compositions. Ellen Andrea Wang live in Photo by Tore Pettersen.

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